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Nua Collective

Visual Arts Collective

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The Nua Journal

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Oil portrait of Eddie behind the bar, with bottles arranged on the shelves behind him.
The Giving Project: After Hours
Detail of a sculptural collage combining a woman from an advertisement, torn layers and a round metal object.
A Glue Stick Alone Wasn’t Going to Cut It
A seated performer in a vivid pink costume and crown holds a distressed American flag in a sunlit interior.
Against Compliance: Disobedience as Artistic Strategy in a Time of Permanent Crisis
Katrīna Tračuma reflects on painting a beloved Kauguri garden en plein air as winter cold, sunset and darkness transform the scene.
Kauguri Garden in the Winter Dark
Enrique Hernandez explores the uncanny through charcoal drawings that move between recognition, distortion and psychological unease.
What Is Real and What Is Not
Anne Martin Walsh considers spirituality, exile and identity in Ana Mendieta’s Silueta series and Rupestrian carvings
Ana Mendieta’s Silueta Series and the Rupestrian Carvings
A reflection on fragility, grief and transformation through a mixed-media study of a single flower suspended in darkness.
Where Beauty and Sorrow Are Inseparable
Anecdotes Issue 3 by Nua Collective
Nua Collective Releases Anecdotes Issue 03
Josh Stein’s The Giving Project: After Hours follows the relationships that emerged from giving artworks to strangers. Through photographs taken in late-night and off-hours spaces, the project documents where these encounters have led—across lower Manhattan, Monmouth County, and the Napa Valley—turning ephemeral exchange into personal record.
The Giving Project: After Hours
Enrique Hernandez reflects on how to express emotion when words are not enough. Through drawing, painting, resin, gouache and expressive lines, the work explores raw feeling, texture, vulnerability, eroticism, and psychological depth—holding the tension between strength, exposure, and the crude reality of human fragility.
How to express a feeling
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