The Giving Project: After Hours
Josh Stein recounts a New Year’s Eve portrait exchange that grew from the relationships formed through The Giving Project.
Josh Stein recounts a New Year’s Eve portrait exchange that grew from the relationships formed through The Giving Project.
Amy Devlin describes moving collage beyond the page through fabric, found objects, sewing, staples and the visual language of weathered billboards.
Lucy Lambe examines artistic disobedience as a sustained method of resistance within conditions of permanent political and social crisis.
Katrīna Tračuma reflects on painting a beloved Kauguri garden en plein air as winter cold, sunset and darkness transform the scene.
Enrique Hernandez explores the uncanny through charcoal drawings that move between recognition, distortion and psychological unease.
Anne Martin Walsh considers spirituality, exile and identity in Ana Mendieta’s Silueta series and Rupestrian carvings
A reflection on fragility, grief and transformation through a mixed-media study of a single flower suspended in darkness.
Nua Collective releases Anecdotes Issue 03, a 64-page contemporary art publication featuring artist essays, visual practice and creative reflections.
Josh Stein’s The Giving Project: After Hours follows the relationships that emerged from giving artworks to strangers. Through photographs taken in late-night and off-hours spaces, the project documents where these encounters have led—across lower Manhattan, Monmouth County, and the Napa Valley—turning ephemeral exchange into personal record.
Enrique Hernandez reflects on how to express emotion when words are not enough. Through drawing, painting, resin, gouache and expressive lines, the work explores raw feeling, texture, vulnerability, eroticism, and psychological depth—holding the tension between strength, exposure, and the crude reality of human fragility.